Just completed the soundtrack to End of the Road (2012), a short film by London Fieldworks for Mobile Republic: Digital Caravans, a touring exhibit by AND. A quick turnaround on this one. 2 weeks to complete it, around all the other stuff that has to be done. Happily this counts as research! The film is in a sense a commentary on climate change, in which a high carbon culture of leisure is implicated (caravaning). The irony being that the victim concentrated on in the film – Nigel Cutting –has a low carbon lifestyle, living in a caravan at the edge of the eroding cliffs of East Anglia (UK). The cliffs themselves have been vanishing for centuries, so are particularly vulnerable to the kind of extreme weather becoming more frequent due to climate change (about which NASA’s James Hansen has had a bit to say recently).
This is how London Fieldworks’ frame the film:
End of the Road is an elegiac reflection on contrasting symbolism of the touring caravan: from a gleaming symbol of leisure and freedom on a choreographed, automated Japanese-style production line, to an emblem of futile defiance right on the edge of a rapidly eroding East Anglian coastline; prey to a process of land disintegration accelerated by deteriorating coastal defences and rising sea levels.
Employing the touring caravan as a vector, End of the Road portrays a dialectic between an image of consumption and deteriorating physical landscape. The film offers the mode of mobile living as a future survival strategy for coastal dwellers within an inevitable climate of forced migrations and managed retreats.