This Storm Is Called Progress (2016), a dual-screen audio-visual installation created in collaboration with filmmaker Grayson Cooke, was recently shortlisted for the Waterhouse Natural Science Art Prize. The work was highly commended by the judging panel and will be exhibited at the South Australian Museum in Adelaide, 10 June – 31 July 2016.
The project articulates the temporal and spatial disjunctions that underpin the Anthropocene, through juxtaposition of the “deep time” of ancient geological formations (the Naracoorte Caves in South Australia) with the technologically translated time of the anthropogenic present (Landsat images of Antarctic ice shelves).
The role of sound and music in the installation is to affectively charge and temporally vectorise its non-human, non-sentient subjects. This renders the non-human in humanly accessible form, affording the installation’s audience immediate access to ecological phenomena – hyperobjects – that otherwise exceed and elude human ken. This is a vital social-ecological contribution that art can make in response to the multiple environmental crises that define our contemporary era.