Writings

‘Broken Magic: the Liveness of Loudspeakers’. In Experiencing Liveness, ed. Lindelof and Reason. London: Routledge, 2016.

Dugal McKinnon, James Murphy and Mo H. Zareei. ‘Lost Oscillations: Exploring a City’s Space and Time with an Interactive Auditory Art Installation.’ International Conference on Auditory Display. Canberra: 2016. Awarded best paper at ICAD 2016 on the basis of peer reviews.

Australien/Neuseeland/Ozeanien. Encyclopedia entry for the Lexikon neue Musik [Encyclopedia of New Music]. Prof. Dr. Jörn Peter Hiekel and Prof. Dr. Christian Utz (eds). Stuttgart: J.B. Metzler Verlag, 2016.

Mo H. Zareei, Dugal Mckinnon, et al. ‘Sound-based Brutalism: An emergent aesthetic’. Organised Sound, 21(01), April 2016: 51-60.

‘Dead Silence: ecological silencing and environmentally engaged sound-art’. Leonardo Music Journal, 23.

‘After the Great Divide, the Little Gully: miscommunications about sound’. In Erewhon Calling: Experimental Sound in New Zealand, ed. Bruce Russell (Auckland: Audio Foundation/CMR, 2012).

‘Awkward Ecologies: the 21st Century Baroque’. Proceedings of the 2011 Australasian Computer Music Conference (Auckland).

‘Awkward Ecologies: Sound-Based Music’. eContact! 13.3.

‘Three Electroacoustic Works’. In Just Like Us: Music in New Zealand, ed. Hoskins, R. (Auckland: Steele Roberts, forthcoming in 2011)

‘Centrifugal, Centripetal: Electroacoustic Music in New Zealand’. In Home, Land and Sea: Situating Music in Aotearoa/New Zealand, ed. Keam, G. and Mitchell, T. (Auckland: Pearson Education NZ, 2011)

‘Douglas Lilburn – “a total heritage of sound”’. In Landfall 219: On Music, ed. Bill Direen (Dunedin: Otago University Press, 2010)

‘The water sounds today like it did yesterday’. Essay for Prior, D., Black Water, Brown Water [CD] (Dartington: Acts of Language, 2009)

‘Acousmatics and the language of the technological sublime’. Paper presented at the Electronic Music Society conference, Leicester, June 2007

‘Spectral Memories: the Aesthetics of the Phonographic Recording’. Paper presented at the Sound as Art conference, Aberdeen (Scotland), Nov 2006. Published online in Hz #12

‘Spectral memories: radio, records and John Cousins’ Sleep Exposure’. In Canzona, 25/46 (2004), pp.30-35

‘Other Notes: Jack Body’s Alley’. In East by South: China in the Australasian Imagination (Wellington: Victoria University Press, 2005)

Little Earth: Sound, Cinema, Sci-Fi and Space’. In London Fieldworks: Little Earth (London: London Fieldworks, 2005)

‘Access and accessibility: new music and young composers in Aotearoa’. In Music in New Zealand, 32 (Autumn 1996), pp.6-7, 73

‘Sourcing the subjective – an interview with John Young’. In Canzona, 6/37 (1994), pp.46-48

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